Shona Masarin

2010, variable duration, Super 8mm multi-projector installation.

Two looping film projectors, side-by-side, cycle through two film-strips that are cut to different lengths. The beginning and end of each loop are lost in all the various narrative and compositional possibilities imposed by the slip-stream of images and sounds that push, touch, and collide – like endless variations of a motif. The machine is able to manufacture an infinite amount of imaginary anxieties, dreams, and stories through the repetition and juxtaposition of images that act as hieroglyphs. Sound by Andrew Hurst.